Abstract | The purpose of this article is to explore the discourse of Hip Hop Culture within the context of music therapy. Spellings and definitions of Hip Hop, as proposed
by KRS-One (2009), will be provided
and then extrapolated in relation to various topics in music therapy, such as
treatment planning and theoretical perspective. The position of this paper is
that music therapists must adopt reflexive positions on issues such as the
cultural appropriation of Hip Hop’s artistic elements and the manifestation of
power and privilege within its musical and therapeutic relationships. Hip Hop
offers a multidimensional theoretical perspective for music therapy theory that
views the ability of its artistic elements to transform and produce Spirit,
enabling individuals and communities to move from a location of marginalization
to that of an empowered, collective voice.
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